Oscars 2025: An Overview of the Nominations
Am Donnerstag wurden die Oscar-Nominierungen bekanntgegeben.
©APA/AFP/PEDRO UGARTE
BEST ACTRESS
BEST ACTOR
BEST SUPPORTING ACTOR
BEST SUPPORTING ACTRESS
BEST INTERNATIONAL FILM
BEST ORIGINAL SCREENPLAY
BEST ADAPTED SCREENPLAY
BEST SONG
BEST MUSIC
BEST SOUND
BEST EDITING
- "Anora"
- "Der Brutalist"
- "Like A Complete Unknown"
- "Konklave"
- "Dune: Part Two"
- "Emilia Pérez"
- "I'm Still Here"
- "Nickel Boys"
- "The Substance"
- "Wicked"
BEST VISUAL EFFECTS
- Sean Baker für "Anora"
- Brady Corbet "Der Brutalist"
- James Mangold für "Like A Complete Unknown"
- Jacques Audiard für "Emilia Pérez"
- Coralie Fargeat für "The Substance"
BEST MAKE UP
- Cynthia Erivo für "Wicked"
- Karla Sofía Gascón für "Emilia Pérez"
- Mikey Madison für "Anora"
- Demi Moore für "The Substance"
- Fernanda Torres für "I'm Still Here"
BEST CAMERA
- Adrien Brody für "Der Brutalist"
- Timothée Chalamet für "Like A Complete Unknown"
- Colman Domingo für "Sing Sing"
- Ralph Fiennes für "Konklave"
- Sebastian Stan für "The Apprentice"
BEST SCENE IMAGE
- Yura Borisov für "Anora"
- Kieran Culkin für "A Real Pain"
- Edward Norton für "Like Like A Complete Unknown"
- Guy Pearce für "Der Brutalist"
- Jeremy Strong für "The Apprentice"
BEST COSTUME DESIGN
- Monica Barbaro für "Like A Complete Unknown"
- Ariana Grande für "Wicked"
- Felicity Jones für "Der Brutalist"
- Isabella Rossellini für "Konklave"
- Zoe Saldaña für "Emilia Pérez"
BEST ANIMATED FILM
- "I'm Still Here" für Brasilien
- "Das Mädchen mit der Nadel" für Dänemark
- "Emilia Pérez" für Frankreich
- "Die Saat des heiligen Feigenbaums" für Deutschland
- "Flow" für Lettland
BEST ANIMATED SHORT FILM
- "Anora"
- "The Brutalist"
- "A Real Pain"
- "September 5"
- "The Substance"
BEST SHORT FILM
- "A Complete Unknown"
- "Konklave"
- "Emilia Pérez"
- "Nickel Boys"
- "Sing Sing"
BEST DOCUMENTARY FILM
- "El Mal" aus "Emilia Pérez"
- "The Journey" aus "The Six Triple Eight"
- "Like A Bird" aus "Sing Sing"
- "Mi Camino" aus "Emilia Pérez"
- "Never Too Late" aus "Elton John: Never Too Late"
BEST DOCUMENTARY SHORT FILM
- "The Brutalist"
- "Konklave"
- "Emilia Pérez"
- "Wicked"
- "The Wild Robot"
(APA/Red)
- "A Complete Unknown"
- "Dune: Part Two"
- "Emilia Pérez"
- "Wicked"
- "The Wild Robot"
BESTER SCHNITT
- "Anora"
- "Der Brutalist"
- "Konklave"
- "Emilia Pérez"
- "Wicked"
BESTE VISUELLE EFFEKTE
- "Alien: Romulus"
- "Better Man - Die Robbie Williams Story"
- "Dune: Part Two"
- "Planet der Affen: New Kingdom"
- "Wicked"
BESTES MAKE UP
- "A Different Man"
- "Emilia Pérez"
- "Nosferatu"
- "The Substance"
- "Wicked"
BESTE KAMERA
- "The Brutalist"
- "Dune: Part Two"
- "Emilia Pérez"
- "Maria"
- "Nosferatu"
BESTES SZENEBILD
- "Der Brutalist"
- "Konklave"
- "Dune: Part Two"
- "Nosferatu"
- "Wicked"
BESTES KOSTÜMDESIGN
- "A Complete Unknown"
- "Konklave"
- "Gladiator II"
- "Nosferatu"
- "Wicked"
BESTER ANIMIERTER FILM
- "Flow"
- "Alles steht Kopf 2"
- "Memoir of a Snail"
- "Wallace & Gromit: Vergeltung mit Flügeln"
- "Der wilde Roboter"
BESTER ANIMIERTER KURZFILM
- "Beautiful Men"
- "In the Shadow of Cypress"
- "Magic Candies"
- "Wander to Wonder"
- "Yuck!"
BESTER KURZFILM
- "A Lien"
- "Anuja"
- "I‘m Not a Robot"
- "The Last Ranger"
- "The Man Who Could Not Remain Silent"
BESTER DOKUMENTARFILM
- "Black Box Diaries"
- "No Other Land"
- "Porcelain War"
- "Soundtrack to a Coup d'Etat"
- "Sugarcane"
BESTER DOKUMENTAR-KURZFILM
- "Death by Numbers"
- "I Am Ready, Warden"
- "Incident"
- "Instruments of a Beating Heart"
- "The Only Girl in the Orchestra"
(APA/Red)
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